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Kultuurikoostöö taotlusvoor 2018

UKRAINA

Partner search
Culture sub-Program 

Strand/category Cooperation Projects
Deadline 1.12.2018

 Cultural operator(s)

Name Department of Culture and Tourism of Khmelnytskyi City Council (Ukraine)
Short description The Department of Culture and Tourism actively works on the development and implementation of the city culture strategic development program, providing quality and accessible cultural and educational services to the population, organization of meaningful cultural and artistic leisure of city dwellers, preservation and popularization of historical and cultural heritage, folk traditions, the development of libraries and museums, tourism.
Contact details Lesya Herasymchuk

+380966068690

+380382777110

khmelcityagency@gmail.com

Project

Field(s) Sculpture, Heritage, Festival, Performative arts, Visual arts, Design, Photography, Music, Interdisciplinary projects
Description «Waste-to-Art»

The purpose of international art project Waste-to-ART and urban art biennale BruhtART is the renewal of social consciousness through urban sculpture development and culture exchange on national and international levels in innovative and relevant ways. The project’s name “Waste-to-ART” correlates with the modern trend waste-to-energy or energy-from-waste, which is the process of generating energy in the form of electricity and/or heat from the primary treatment of waste. If WtE is a form of energy recovery, WtA is a form of cultural energy recovery.

The project develops this trend both in a literal meaning and in the relevant sociocultural way. The waste is transformed into powerful artistic energy that is communicated to a large audience (with its active participation in the activities) through the works of art, educational and art activities involving modern methods of engaging target groups.

The international art festival «BruhtART» (Khmelnytskyi) has an ambitious goal aimed at the future of art and city life: the development of urban sculpture at the national and international level and the simultaneous formation of an updated cultural image of the Khmelnytskyi city. The uniqueness of the artistic event lies in the fact that the material, offered to the artists for processing, is the raw material for recycling – scrap metal. Techniques for implementing ideas are assumed to be diverse: welding, soldering, forging, metal casting, galvanizing, and the like.

Preference is given to the projects:

firstly, interactive and kinetic, involving the audience to direct communication with the artistic work and, optionally, to its direct creation/animation;

secondly, multimedia in the sense of using additional means of expressiveness, such as light, sound, color, elements of land art, etc.;

thirdly, using local facilities of alternative and renewable energy sources of sunlight, wind, water;

fourthly, having a clear and distinct idea, understandable to different social, national, gender and age groups of the population.

The theme of the first festival in 2020 – «BruhtART» is proposed in the location of the city park. Working on the topic, the participants are invited to consider from an artistic point of view the problems and attractions of modern cities and their inhabitants, harmonization of civilization and nature. The festival is planned to be held regularly every two years in the city of Khmelnitsky, changing the themes and locations, but not the main material: the recycling of scrap metal in artistic works. In the framework of the artistic event, it is planned to carry out the open creative workshops, workshops of traditional handicraft for metal processing, a wide educational program (lectures, seminars, master classes, coworking, film screenings), a program on contemporary music, dance and performances, and further mobile exhibitions of photos, videos and 3-d models of the artworks in Ukraine and abroad.

Partners searched

Countries All programme countries
Profile «Waste-to-Art»

We are looking for cultural institutions, sculptors, and designers related to the topic of designing and craft, ready to take an active part in our project delivering exhibitions, workshops, organizing artistic installations, giving performances and performing other activities in order to implement ideas of creating sculptures out of the scrap metal by welding, soldering, forging, metal casting, galvanizing, and the like.

Due to the funds obtained we will be able to cover the costs of stay and transportation within the project as well as to finance the materials needed for the work and give the project-wide coverage in the local and national media.

 

HISPAANIA

On behalf of the department of culture of the city of Avilés (ES), that lead the Symbols  project and is partner in Wom@rts, and through its so called “Cultural Factory“, we are currently preparing a new proposal to be submitted next 11th December (a small-scale one this time): Z ELEMENTS

The project will tackle the attraction of new young audience from Generation Z through co-creation activities and the transformation and distribution of artistic creations from traditional CCIs into digital transmedia, interactive and multi-screen cultural products (see attached project fiche for more information).

The partnersearch is opened to cultural operators from eligible countries, and the selection of partners will be based on complementarity of the profiles and skills, as well as on the experience and capacity of the candidates.

Any interested potential partner is invited to fill in the following questionnaire: https://docs.google.com/forms/d/e/1FAIpQLSd2mEl4C-vRSwHRnCDIev69vxc9P8xi4JTbX0HYH9JrQ1ji1Q/viewform.

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RUMEENIA

Partner search
Creative Europe – Culture Sub-programme:
http://eacea.ec.europa.eu/creative-europe/funding_en

Strand/category of the Culture Sub-programme

 

Creative Europe – Culture – Cooperation strand
Deadline of the strand

 

11 December 2018
Deadline for confirming your interest in this partnership 16 November 2018

 Cultural operator(s)

Name Ethnographic Museum of Transylvania
Short description Our museum was founded in 1922, it is the first ethnographical museum in Romania, and since then our collection grows constantly. We have two section: the main exhibition, in a building from XVII century, in the center of the Cluj Napoca City, and, also, the open air section, near the Hoia Forest. Our collections cover all area of Transylvania.
Contact details Gabriela Radoiu Les

Address : Memorandumului street 21, Cluj Napoca, Romania

www.muzeul-etnografic.ro/ro

gabriela.radoiu@gmail.com

Tel. +40 728 287788

Project

Field(s) Culture, heritage, promotion, education, mobility, media, virtual and augmented reality, new technologies, research.
Description We would like to be partners in a cooperation project focused on one or several of the fields mentioned above.

Partners searched

Countries All
Profile All organizations working in the fields mentioned above

 

ITAALIA

 Partner search
Culture sub-Program 

Strand/category Large Scale Cooperation Projects
Deadline 11/12/2018

 Cultural operator(s)

Name Centro Diego Fabbri
Short description Centro Diego Fabbri is a cultural association located in Forlì (Italy) that works in strong cooperation with the Theatre “Diego Fabbri” of the City of Forlì and is responsible for managing both the theatrical and promotional aspects of the Theatre.

Its mission is to promote theatre and theatrical performances both at a national and transnational level, fostering synergies with different stakeholders, initiatives with primary and high schools, local, promotion of young playwrights, cooperation with local public authorities for the promotion of cultural activities.

Centro Diego Fabbri is working also in strict collaboration with the University of Bologna, implementing a number of activities aimed at educating the students on Theatre Culture.

Centro Diego Fabbri is a member of the Regional Permanent Forum of Theatres, which includes several Theatres, theatrical and cultural associations, cultural foundations.

One of the main activities of the Centre is also the promotion and valorisation of young playwrights. Every year the Centre organizes a national competition targeted to unpublished playwrights, to encourage new dramaturgy and playwrights and to support the national circulation of awarded works, allocating funds in order to perform the awarded drama in at least 40 Italian theatres.

http://www.centrodiegofabbri.it/

Contact details Ms. ANDREA DONDA
donda@argoproject.eu
Mob: +39 3479702361
Skype: donda.andrea

Project

Field(s) Creative and cultural sectors, theatre, dramaturgy
Description After having successfully implemented “Pop Drama – Circulating of European Playwriting through people’s choice”, a small scale cooperation project aimed at supporting the circulation of European dramaturgy, and having proved the efficiency of the methodology tested, the present cooperation project proposal wishes to build and follow up on that previous experience. In particular, the project aims at promoting the transnational circulation in the field of dramaturgy and the accessibility to European dramaturgy at a transnational level, at supporting theatre and cultural players cooperation and at implementing audience development activities, targeted in particular at students.

The project foresees a random division of the 9 partners involved in 3 mixed groups and a national call for playwrights for the selection of texts to be translated in the partner languages. These texts will be performed in alternative spaces in the partner countries, in order to realize a so-called “theatre outside the theatre” as a part of the audience development strategy. A winning text will then be selected and performed by designated companies and directors in the countries involved.

Looking for Partners

Countries All Countries (with the exception of Italy, UK, Spain and Romania)
Profile Interested organizations or organizations active in the cultural and creative field, operating in the sector of theatre and dramaturgy (theatres, cultural organizations, universities, etc.)

 

UKRAINA

Partner search
Culture sub-Program 

Strand/category  

European cooperation projects 2018 – Category 1: Smaller scale cooperation projects
Deadline 1.Dec 2018

 Cultural operator(s)

Name Vinnytsia Regional Development Agency (Ukraine)
Short description The Vinnytsia Regional Development Agency was established on June 23, 2016. The Vinnytsia Regional Development Agency is a non-governmental, non-profit organisation, was organised for the effective realization of state regional policy. It operates on the basis of Law of Ukraine «On the Principles of State Regional Policy» and the Regulations of the Organisation “Vinnytsia Regional Development Agency”.

OBJECTIVES OF THE AGENCY

To promote the development of Vinnytsia region by investing and other resources as well as  the implementation of  actions  aimed to improve business environment and image of the region.

Agency’s principles of activities

• Professionalism

• Individual approach

• Goodwill

• Complex approach

• A focus on result

• Impartiality

Agency’s key activities

1. The regional development

• to contribute to the implementation of regional development strategy, programs and projects of regional development;;

• the cooperation with the  public, business, local and central authorities;

• holding training courses, campaigns to raise awareness of opportunities and participation in contests, ensuring regional development, among local authority officials, representatives of united territorial communities, general public;

2. The development  of small and medium businesses

• consulting, arrangement and holding events for business  representatives  in order to develop entrepreneurial environment;

3. The attraction of investments

• the work with local governments for investment  attraction;

• the support of investment projects.

4. Organizational development

·     Training

·     Advanced training

Contact details 21036, Ukraine, Vinnytsia region, Vinnytsia, Khmelnytske shose  7, room. 125tel. +38 (0432) 50-85-80tel. +38 (0432) 57-57-24tel. +38 (0432) 57-57-23Contact persons: Nataliia Hyzhko, +380963971528E-mail: ardvin.org@gmail.com

http://ardvin.org.ua/

https://www.facebook.com/agenciia.vinnytsia/

https://www.instagram.com/ardvin2016/?hl=ru

Project

Field(s) Creative industries: traditional culture, creative services, visual  and  dramatic arts, etc.
Description Though, we have no defined idea of a project, we want to participate in the projects of other organisations. We are also interested in and want to participate in all the development-oriented  projects of creative industries: traditional culture, creative services, visual  and  dramatic arts, etc.

Partners searched

Countries All
Profile Partners who have objectives and interests similar to Agency for Regional Development Vinnitsa region and all profiles – museums, cultural centres, art groups, institutes for history, local municipalities, etc.

Other

We have the  idea  of a project to develop folk handicrafts.

Project Summary :

The project is aimed to promote the economic development of rural areas and employment in border areas of the Republic of Moldova, Transnistria and Ukraine by popularizing the economic component of handicrafts, preserving the traditions, increasing level of cultural education and usage of modern trends and techniques of art among the local population.

The territory  in which the project will be implemented:

In Ukraine: Vinnytsia region

Yampil district, Mohyliv-Podilskyi district, Pishchyanka district;

In the Republic of Moldova:

Donduseni district, Ocnita district, Soroca district

In Transnistria:

Camenca and Ribnita

One of the objectives of project:

To raise the level of employment in the rural areas of border regions (or to reduced the level of unemployment): Yampil district, Mohyliv-Podilskyi district, Pishchyanka district,  Vinnytsia region (Ukraine) Soroca, Ocnita, Donduseni districts (Republic of Moldova), Camenca, Ribnita districts (Transnistria )

 

BOSNIA ja HETZEGOVINA

Partner search
Culture sub-Program 

Strand/category Cooperation projects
Deadline Fall 2018

 Cultural operator(s)

Name Sarajevo City Hall –  Vijećnica
Short description Sarajevo City Hall, known as Vijećnica, is located in the city of Sarajevo. Sarajevo City Hall is the most beautiful and most representative building built in Sarajevo during the Austro-Hungarian period and serves as a symbol of the encounter of world civilizations. It was built in Neo-Moorish style – the perfect architectural unity of the East and the West.The famous architect Karl Pařik deserves credit for this Neo-Moorish style. City Hall is a national monument,  and its space is used for various protocol events for all levels of government, concerts, exhibitions, and different kind of events.
Contact details Bosna i Hercegovina

Brodac 1, 71 0000 Sarajevo,

Tel: +387 33 292 855

Mob: +387 61 140 502

e-mail : info@jpsarajevo.ba

Project

Field(s) culture, art, music, performing arts, exhibitions, events
Description We are superb venue for high level events in the field of culture and art that are important for Bosnia and Herzegovina, the region of Western Balkans and Europe. We are interested to be a partner in cooperation projects to interesting organisations that plan to bring/tour art productions of highest artistic and aesthetical value in the region of Balkans. We can act as a host venue, producer and/or promoter.

Looking for Partners

Countries All countries in the region: Croatia, Serbia, Montenegro, Macedonia, Slovenia, Kosovo, and all European Union countries (EU)
Profile Associations of artists, city services, governmental and non-governmental organizations dealing with culture and art

Other

Sarajevo City Hall is a perfect place for artists and galleries who wish to exhibit in Sarajevo

 

RUMEENIA

Project
Field(s) The Institute of National Economy, Bucharest, Romania, is open for collaboration as partner in transnational  projects.
Description
The Institute of National Economy, Bucharest, Romania develops scientific analyses and studies on the topic of innovative valuing of the cultural heritage. Also, the Institute develops various activities in the area of building strong networks of stakeholders, strategic partnerships with key actors in the field, etc

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RUMEENIA

Creative Europe – Culture Sub-programme:
http://eacea.ec.europa.eu/creative-europe/funding_en
Strand/category of the Culture
Sub-programme Culture (cooperation projects)
Deadline of the strand December 2018

Cultural operator(s)
Name Asociatia “Georgian Design & Artistii” / “Georgian Design & Artists” Association
Short description
Established in 2017, the cultural association “Georgian Design & Artistii” aims to collaborate with organizations from other countries in order to promote Romanian artists in the field of music and theater. The association currently holds a portfolio of 10 artists and actors who act as honorary members within the organization.
Also, our association organize drawing and graphics study courses and exhibitions for young people with disabilities from Romania.
We would like to take part as partners in the next call for proposals for European Cooperation Projects.
Contact details
RADOI CONSTANTA
cradoi2006@yahoo.com
+040799758817
https://www.facebook.com/pg/Asociatia-Georgian-DesignArtistii-1962940720585266/about/?ref=page_internal
Project
Field(s) Music, Theater, Cultural activities involving young people with disabilities
Description
We seek international partners for a joint project under the Creative Europe Program, involving the presentation of music performances and theater plays. We are interested in organizing cultural activities for people with disabilities.
Also, we would like to organize music shows for people with disabilities from Romania and other countries with a charitable purpose.

Partners searched
Countries: All eligible countries
Profile: All

SERBIA

 Partner search
Culture sub-Program 

Strand/category  Category 1 – Small scale projects
Deadline  European cooperation call 2019/ november 2018

Cultural operator(s)

Name “Pozoriste lektira” / “Theatre reading”
Short description “Theatre reading” is created according to the idea of the celebrated actor Ivan Jevtovic who i cooperation with his colleagues Milena Nikolic and Dejan Jajcanin begins work on the founding of a new theater that will have an educational character and will be named after tha professor of the Faculty of dramatic art, dr. Vladimir Jevtovic. For the first season, the theater chooses a school lecture as a topic. In cooperation with professors of literature, the selected works are dramatized, and then the performances are created in accordance with the editing of the proofreaders according to plan and program. It is planned that every performance of the play will be followed by a workshop in which the audience, in this case the students, will have the opportunity to actively discuss with the actors and professors of Serbian language and literature. Students will express their thoughts on the theater noler-literary work, and what they have seen on the scene, will have the ability to select certain scenes that they want to look at again or to change them as directors, and that professional actors play them according to their indications, all in the goal of answering the questions asked and the adequate understanding and analysis of a particular literary work. In the era of modern communications, a large percentage of young people are defocused and alienated from traditional artistic techniques and values, and often from innumerable unclassified programs, they select inadequate quasi-artistic content subjected to primary sensory sensations. Reading literary and intellectual texts is maximally avoided and is considered hard and boring. Strenuous because it requires full intellectually-emotional capacity, and boring because there are no other sensory incentives. Adolescents narrow their aspects, lose motivation, and the dictionary becomes scarce and completely jargon. It is necessary to start them and offer them new models and ways of learning and discovering, which is one of the main goals of this project. We are inviting young people and their education about the importance of literacy, reading and nice speech through the work on theater performances. We are trying to learn the correct behavior patterns and the discovery of the importance of communication and interpersonal cooperation in the development of young people. No cultural institution has so far linked its existence to a school program like this. Because it’s starting point is that teachers are crucial subjects for the survival and development of our cultural life. And that the school is the backbone of our entire society, and the theater that should be, among other things, its mirror.
Contact details Milena Nikolic

https://www.facebook.com/pozoristelektira/

pozoristelektira@gmail.com

Project

Field(s) Performing arts, Theatre, Education, Audience Development
Description We would like to take part in Creative Europe projects as a partner. We are looking for a theater or organization that works with young people.
The motive of this project is to use the theater play and drama workshop as communication models to gather this future elite around the things that connect them and which are close to them. A seemingly painful, heavy and boring school lecture could become an ideal polygon for mutual understanding, encouraging creative thinking and learning.We believe that this young people are quite aware of the time and space in which they are living. It is necessary to encourage them to think that their personal and creative engagement can influence changes in their own community.The aim of this project is to address young people about the importance of literacy, reading and fine speech through work on theater performances.
We also aim at learning the correct patterns of behavior and revealing the importance of communication and interpersonal cooperation in the development of young people.It is necessary to raise awareness and need for the cultural development of the individual for the general well-being of the community.
Finally, the goal is to debate things that are common to us and present in everyday life. Debates are an opportunity to look at similarities and differences, and by the sharing an experience to make an exchange of opinions.
This project also aims to encourage teachers and professors to introduce modern methods in teaching. They actively involve students in to the work, which explains their creativety and imagination, which is actually the goal of modern teaching.It is important to make young people closer to art and our main goal is that these young people have an insight to the whole process of creating a play from the creation of a literary work to the performance of it, in which they are an active part.At the end, one of the goals is the activation of artists from all spheres of art (visual, musical, applied, dramatic etc.) in education and affirmation of young people, not only as audiences, but also as performers in performances, workshops, etc.

Looking for Partners

Countries All eligible countries
Profile Institutions or organization interested in work with young people and audience development in preforming arts, Universities and educational organizations…

 

HISPAANIA

Partner Search
Culture sub-Program
Strand/category Creative Europe – Culture Subprogram – Cooperation Proyects
Deadline December 2018

Cultural operator(s)
Name
Symphony Orchestra Foundation of the Region of Murcia
ÖSRM & ÖJRM

Short description

The ÖSRM Foundation aims, the ownership and management, non-profit, in its musical, administrative, technical and economic aspects of two symphonic ensembles called “Symphony Orchestra of the Region of Murcia” (hereinafter, ÖSRM) and “Youth Orchestra of the Region of Murcia” (hereinafter ÖJRM), to promote through both formations and its components, the musical activity in the Murcia Region and beyond, through concerts, publications, promotion of composers, music education, training of young spectators, dissemination of the musical wealth of the Region of Murcia outside its territorial scope, recordings and any others that result in the enrichment, enjoyment, knowledge and dissemination of music among the citizens of Europe. In its 30 years of operation, by the ÖJRM (dean of the Spanish youth formations) passed about a thousand musicians from the Region. Hundreds of them currently hold positions of artistic,  musical and teaching responsibility in conservatories, orchestras and musical institutions throughout Spain and many  countries.
The ÖSRM offers two cycles of Symphonic Subscription in Murcia, whose concerts are recorded by RNE – Radio Nacional de España, and broadcast on Radio Clásica, and in Cartagena, as well as School Concert and Family Concert, through which it is intended to stimulate the approach of children and young people to classical music. In addition, he participates actively in the Great Concerts and Dance of the Víctor Villegas Auditorium in Murcia. The Youth Orchestra of the Region of Murcia (ÖJRM) is one of the oldest, most important and emblematic projects in the Region of Murcia, with almost 36 years of existence. The ÖJRM is the dean of the orchestras of young people in Spain, being since its creation reference
in the cultural and musical field of all Spain.
The purpose of the ÖJRM is to offer young people of the Region of Murcia the opportunity to enhance their musical and personal development by participating in a project that combines musical excellence with the personal global development of young people with more artistic and musical talent and talent. of the Region of Murcia, always under an environment of  teamwork. The ÖJRM has a complete symphonic template that allows you to tackle any style and musical project. In addition to the symphonic work, the ÖJRM also enhances chamber music among the orchestra’s components by promoting and supporting the creation and development of chamber groups in its midst.

The main objectives:
1. The musical training of young instrumentalists, with criteria of high qualification and excellence, as a prior and absolutely recommended step to their full access to the professional world.
2. The dissemination of the orchestral repertoire in the territory of the Region of Murcia and beyond.
3. Collaboration with interpreters, directors and composers from the Region of Murcia and beyond, offering special attention to young talent.
4. Serve as a stimulus to young people who demonstrate high abilities and a special inclination towards the cultivation of music.
5. The training directed to instrumentalists, composers and directors that form or not part of the ÖJRM (external courses).
6. The promotion of new values.
7. Collaborate, within its sphere of action, in the integral formation of its members

Contact details

Website: http://sinfonicaregiondemurcia.com/
Email: contabilidadosrm@gmail.com – Victoria Hernández Sánchez
gerencia@osrm.es – Alberto Garre Martínez
Contact number: (+34) 968924171
Instagram: @osrmurcia__
Facebook: facebook.es/OSRMurcia
Twitter: @OSRMurcia

Project
Field(s) Music, Culture, Art, Heritage,…
Description

The ÖSRM Foundation would like to find partners in Europe to establish partnership in the field of transnational mobility of artists and professionals, improve intercultural dialogue, promote the shared values of the EU and mutual understanding and respect for other cultures, expand access to cultural works through the audience development and reinforce the sense of belonging to a common European area.

Partners searched
Countries All
Profile
Institutions and organizations interested in working with artists from all over the world, young people and audiences  developmet in performing arts such as live music shows, Music Festivals, cultural organizations, associations that promote transnational movility of artists and artworks.

Other

Family Concerts
The formation of new publics is a priority objective of the activity developed by the ÖSRM. That is why since 2003 it has  been offering a series of didactic concerts called Family Concerts, which stimulate the children’s approach to music through quality playful proposals that allow them to enjoy an accessible, fun and musical experience. Formative aimed at a family audience, each of the programmed concerts offers a different show in which the theater, the humor and the active participation of the public are interspersed with the sounds of the ÖSRM. The response since its inception has been exceptional, with an average room occupancy of around 1,500 people per concert. Artists like Ara Malikian, Magic Circle Mime Company, Luis Piedrahita, Fernando Argenta, Fernando Palacios, Puppets Etcétera, Belén Otxotorena and even singers like Gisela or magicians like Jorge Blass are some of the professionals who have participated with the orchestra in this cycle, uniting disciplines and approaching classical music from a play perspective.

School Concerts
The ÖSRM has been organizing for the last three seasons a series of School Concerts for primary school students with the aim of introducing children to the world of classical music in a didactic and fun way, while offering schools complete training musical of its students with an activity of extraordinary character. In addition, other previous pedagogical actions are contemplated in the classroom (auditions, biography and anecdotes of the composers …) and other later ones  commenting and exchanging impressions, reliving the sensations, filling out a didactic form for each session …) thus avoiding converting the attendance to the concerts in an isolated event. During the last three seasons, the cycle of School Concert has been  received with great enthusiasm by the directors and teachers of Music of the schools of the Region of Murcia and has attracted more than 1,000 students per session of more than 150 different schools.

Sounds of the Mar Menor
In July 2017, the ÖSRM starred in a massive concert at El Pescador Beach in Santiago de la Ribera. On the sand, the stage where the musicians offered, under the baton of Virginia Martinez and before more than 6,000 people, a varied and familiar program that included film soundtracks and Disney pieces, as a special nod to children audience . With experiences of this kind, the ÖSRM reinforces its bond with the public on foot, leaving its comfort zone and giving itself completely to projects that involve the approach of symphonic music to a plural and increasingly wider audience. So much so, that in July 2018, the ÖSRM returned to star in a massive concert on the beach of Los Narejos in the town of Los Alcázares. Once again the stage was installed in the arena, in conditions similar to those of the previous year but in another location and the number of 6,000 people was again exceeded due to the large capacity that allows the beach to be laid out. This time the program included the best-known pop-rock themes of all times but in symphonic key thanks to the orchestral arrangements made by the Spanish composer based in Los Angeles, Amparo Edo (collaborator of musicians such as Joaquín Sabina,  antiago Auserón or Joan Manuel or Víctor Manuel) the ÖSRM made a tour of some of the songs that have marked our lives, but also others of rabid current that invited the public to sing and dance on the sand, making this event, one of the most  nticipated of the year for Murcia.
The concert that put an end to our  summer meeting 2018 of the ÖJRM, in it our young musicians, under the direction of Josep Vicent, interpreted the ‘Romeo and Juliet’ by Prokofiev, and ‘West Side Story’ by Bernstein. The concert brought  together more than a thousand people on the beach of El Pescador in Santiago de la Ribera.

Teatralized visits
Since the 12-13 season from the ÖSRM, the Know Your Orchestra activity has been held with great success, aimed at groups who are given the opportunity to attend a general rehearsal of the ÖSRM and, subsequently, to make a theatrical visit by the Víctor Villegas Auditorium in Murcia, in which a character, characterized as a patron of the Culture of the 18th Century –  incarnated by the actor Manuel de Reyes – explains to the students the details of the operation of the Symphony, while  showing them the places where he usually carries out his daily work. During the last three seasons, all available dates for these visits have been covered

 

RANTSUSMAA

 Partner search
Culture sub-Program 

Strand/category Cooperative, small-scale project
Deadline 2018

 Cultural operator(s)

Name Magnum Photos
Short description In 1947, following the aftermath of the Second World War, four pioneering photographers – Henri Cartier-Bresson, Robert Capa, George Rodger and David Seymour – founded the now legendary artists’ cooperative Magnum Photos.

For over 70 years Magnum Photos has been providing the highest quality photographic content to an international client base of media, charities, publishers, brands and cultural institutions. Four offices in Paris, New York, London and Tokyo, together with a network of fifteen agents in Europe, are constantly on the lookout for new ways of distributing and promoting their work, as well as educating the next generation of independent visual storytellers from across the globe.

Contact details Magnum Photos
19 Rue Hegesippe Moreau
75018 Paris (France)
andrea.holzherr@magnumphotos.com
anacruzyabar@gmail.com

Project

Field(s) Photography professionalization
Description In an effort to strengthen the competitiveness of the European audiovisual sector and committed to educating the next generation of independent visual storytellers from across the globe, Magnum Photos aims to promote training through a wide and quality project with the support of cultural and academic partners.

This project aims to provide insight into the professional practice and professional practice support for emerging lens-based media practitioners through an Online Education program and local workshops as a means of driving creativity and innovation, as well as improving motivations and career prospects of young photographers.

Looking for Partners

Countries Eastern Europe
Profile We are seeking partnership with cultural organizations and higher education institutions specialized in Humanities, Arts, New Media, Technology and Languages that support this initiative by providing administrative and technical expertise, artistic expertise, financial capabilities and venues to develop and expand this program..

Partners should be able to engage people and reach targeted audiences locally, from emerging visual storytellers and lens-based media practitioners to new audience members, but also donors and volunteers in the community. Partnerships should also be able to enlarge the organizations’ networks beyond their immediate partners of this project.

Other

For instance, we are particularly interested in partnering with organizations that promote Civilisation and Language studies, as well as interpretation and translation of Eastern Europe languages and work with native speaking linguists who could translate the educational content as a means of reaching a wider audience.

 

TAANI

Partner search
Culture sub-Program 

Strand/category Culture
Deadline In November (not published yet)

 Cultural operator(s)

Name and country The Health and Culture Department at Aalborg Municipality
Short description It advises and provides operating grants to associations, cultural institutions and events, volunteer organizers and other active partners.

The main task is to support and develop cultural life in Aalborg within the framework of legislation in the area, Aalborg Municipality’s cultural policy and other policies relevant to practitioners of culture and cultural environments. Cultural policy must provide citizens with diversity in experiences, access to cultural activities and events, a good framework for artists and cultural actors, and giving citizens the opportunity to develop themselves artistically and culturally.

Contact details Rasmus Krogh

Culture Consultant

T:+45  31 99 01 01

E-mail: rasmus.krogh@aalborg.dk

Proposed Creative Europe project

Field(s) (rhythmic) music and entrepreneurship
Description The music industry has changed a lot over the last 20 years. Nowadays Music is distributed through streaming services. The ability of musicians to create revenue has changed dramatically. There are both advantages and disadvantages in the new terms of the music industry. It is harder for musicians to make money selling music, but it’s easier than before to reach a global audience.
Musicians, producers, managers and other players in the music industry must learn to work in new ways to generate revenue and growth. There is a great potential in the music industry learning to think market-oriented and gaining a deep understanding of the music industry’s terms.
These challenges call for the Municipality of Aalborg and the local music industry to join forces in this project.Vision
Project must contribute to both creating economic growth, and to create a framework for a creative, productive and market-oriented music environment. It will support and create concrete initiatives within the area of rhythmic music that will benefit musicians and local music contractors; independent organizers, managers, music companies, producers, musicians and agencies.Impact
• Professionalizing music industry
• Supporting bands / musicians to adapt to the new conditions of the music market
• Creating a framework for peer learning and mentorship
Project will focus on locating individuals, groups and organizations with a great potential, and on strengthening the rhythmic environment as a whole through concrete actions. The entities involved in the project will face competence building that enables them to cope with the emerging challenges on the music market.Planned activities:·         Entrepreneurship for musicians, organizers, managers and other professionals·         Band camp and songwriter camp·         Mentor course·         Peer learning·         Audience development

Partners currently involved in the project (if any)

Name of organisation and country There is a dialog with following institutions regarding this application:

North Jutland Music Conservatory, TANKEN from  the Oslo region, University of Music and Performing Arts Munich, Liszt Academy

Partners searched

Countries Germany, Ireland, Norway, Sweden, Estonia, Lithuania, Latvia, Netherlands, Italy, Spain
Preferred profile Music/Culture Hubs or Labs, higher education institutions, culture departments of the municipalities

Previous Creative Europe or Culture 2007-2013 programme experience (if any)

Project name(s) No previous experience with this programme
Role within projects Not relevant

Are you interested in participating in other EU projects as a partner?

Yes Yes
No
What kind of projects are you interested in participating in? Culture (Music) related

 

ITAALIA

Partner search
Culture sub-Program 

Strand/category European Cooperation Projects
Deadline

 Cultural operator(s)

Name Ama Aquilone Social Cooperative NPO
Short description Ama Aquilone Social Cooperative NPO, www.ama.coop , has its roots in the territory of Ascoli Piceno, and it is the result of the union of two associations, “Ama”, founded in 1981, and “L’Aquilone”, founded in 1983, both in San Benedetto del Tronto (AP).

These associations were originally animated by the commitment of many volunteers who offered help to homeless people, young people, and families with a drug problem.

Today Ama Aquilone has become one of the most representative organizations in the Marche Region.

The Cooperative manages residential structures called “Case” (Houses), in a perspective of reception and integration that, while maintaining its therapeutic specificity, reflects an idea of ​​dignity intimately linked to the “human encounter”, and a series of accommodations for adults in difficulty.

Ama Aquilone carries out projects of social-labour inclusion aimed at unemployed, young people, families and all those people who live the drama of “new poverty”.

Ama Aquilone is fully aware that operating for the “common good” also means promoting the sustainable quality of life, and the respect for the environment. On that reasoning, the Cooperative developed, in 2010, a project of organic farming: Ama Terra Eco Care Farm.

The earth is a meeting place, but there are many meeting lands. From the desire to bring together two distinct realities, the Therapeutic Community and the “external world”, in 2014 the Cooperative created Ama Festival.

Since 2017, Ama Aquilone has activated a first reception service for foreigners requesting the recognition of international protection.

Training, in particular, has recently represented a strategic goal for Ama Aquilone through its advanced training school “La Scuola Ama”.

We would like to take part as partner in the next call for proposals for European Cooperation Projects.

Contact details www.ama.coop

simone@ama-aquilone.it

Project

Field(s) Festival, Audience Development, Social Inclusion
Description Ama Festival is a cultural event that takes place every year in July at “Casa Ama”, the biggest Therapeutic Community of Ama Aquilone that created this event promoting meetings, debates, theatrical performances, and concerts . The project is part of a process of cultural growth inside an event of celebration and remembrance. Ama Aquilone has always celebrated the end of the residents’ therapeutic journey with a day of social sharing and exchange for those who complete the treatment program, their families, employees, and the friends of the Cooperative.

Our purpose would be to include our Festival within a cultural project of social inclusion by making available the resources of Ama Aquilone.

In this perspective, the next call for proposal for European Cooperation Projects would be a great opportunity for us, as partner, to promote matters relating to social inclusion.

Looking for Partners

Countries
Profile Lead partner

 

Other

SAKSAMAA

Partner search
Culture sub-Program

Strand/category Culture (cooperation projects)
Deadline Response until 30th September 2018
Cultural operator(s)
Name Sommerblut Kulturfestival e.V.
Short description
Sommerblut draws the edge into the centre and brings the centre to the edge. The cultural festival lives the vision of cultural participation for all people, regardless of physical or mental disability, ethnic and social origin, age, sexual identity, gender and religion. The festival is risky, breaks with conventional ways of seeing and performing and brings together a wide variety of perspectives. Sommerblut is crossdivisional.
Dance, music, visual arts, performance, theatre and literature enter into fruitful communication, combine expertise with
innovative art forms and open up new dimensions of experience.

Contact details felix.dornseifer@sommerblut.de
erlen@futur-drei.de
Project
Field(s) Intercultural performance project
Description
WHAT DO WE BELIEVE IN is an european intercultural performance project that wants to throw a glance at political, sociocultural as well as religious crises that are diagnosed throughout Europe. In cooperation with four or five cultural institutions, venues, or festivals from different european countries a variety of performance projects will be developed on the subject of crises of faith. In exchange with each other, the different experiences and ways of dealing with personal and European crises of faith are to be worked out.

Partners searched
Countries Any EU-countries
Profile
Wheter you are a theatre, a dance company, a venue or a festival – we are looking for anyone who is interested in elaborating various intercultural performance projects on the subject of faith and crises Since Sommerblut as the project coordinator is famous for its inclusive and cross-border projects, we are looking especially for artists, playwrights or cultural managers who are socio-critical, inclusive, LGTB-friendly, dissenting, open for experiments and ready for new ways of  thinking. Optimally, you already have experiences in European cooperation projects and you are interested in an intercultural exchange of ideas, visions and experiences.
Other

Associated partners, one or two institutions from non-EU-countries
(e.g. Ukraine, Israel)

RUMEENIA

Partnereid otsib Nicolae Mantu Cultural Foundation,  Galați, Rumeenia.

Vaata nende tutvustust

GRUUSIA

 Partner search
Culture sub-Program

 

Strand/category

European Cooperation Projects
Deadline Expected November 2018

Cultural operator(s)

Name and country NNLE Propaganda, Georgia
Short description Considering the challenges and the opportunities of the Georgian contemporary cultural scene, a multidisciplinary initiative group established a not-for-profit, non-governmental organisation – Propaganda.network in 2014, committed to the development of contemporary (visual) arts. However, since that period and especially from 2017 onwards, organisation’s multidisciplinary profile has resulted in developing the projects which delve into wider cultural contexts.

The objectives of Propaganda.network:

●       rising awareness about both: intrinsic and extrinsic values of arts;

●       engaging international audiences in the Georgian contemporary art scene and facilitating transnational mobility of the artists and creative entrepreneurs;

●       supporting interdisciplinary projects amongst the representatives of the arts world and the representatives of other fields, initiating the creation of experimental and new business models;

●       providing critical analysis of the current art processes and initiating respective theoretical and practical research projects.

With this in mind, we work in two main directions: Propaganda Studio handles the practical activities initiated and supported by the organization, while Propaganda Archive deals with research-oriented projects.

The brick and mortar office spans on two main venues (both in Tbilisi) and encompasses different studio-based concept spaces. The first building (80 sq.m.) contains the working space and a small-scale exhibition hall.

Another venue is at a newly developed multiplex – Stamba and contains:

Stamba Open Studios & Residencies – In collaboration with freelance curators and artists, Propaganda.network offers studio and residency spaces to national (amongst them, regional) and international artists for a fixed or flexible time periods.

Synthesis is a new business model dedicated to the experimental practices encompassing the people from different life areas. The outcome of the collaboration often results in developing new knowledge, concept, products and/or services.

Museum – The small-scale space hosts exhibitions of unique and peculiar objects and processes, reflecting artistic, technological, scientific, etc. achievements.

Silk print and neon workshops – Both studios are highly equipped and stand ready to provide all the facilities so that the consumers and artists have the opportunity to develop creative products.

In addition to the ‘fixed’ studios/workshops, additional space is given to a temporary propaganda-initiated projects and/or guest organisations, such as: an interdisciplinary, artistic organisation – Obscura; Tbilisi Architecture Biennial; The Laboratory of Experimental Music and Sound; Radio-informational platform TEMPO and the studio of a private gallery LC QUISSER, etc.

On the internet, the organization carries out its activities via four major platforms (the Propaganda website – www.propaganda.network, contemporary art achieve – www.archive.propaganda.network, blogpage; as well as various social network accounts.

In addition to different medium-scale projects, in May 2018 Propaganda.network organised a large-scale contemporary art exhibition – Oxygen (www.oxygen.propaganda.network) at Stamba.

For more information about the implemented projects, please visit our webpage.

Contact details Nikoloz Nadirashvili, (Research) Projects Manager

nnadirashvili@propaganda.network, +995 599 33 90 60

Ana Gabelaia, Curator

agabelaia@propaganda.network, +995 599 23 61 60

Address: 4 Vashlovani St. 0108, Tbilisi, Georgia

info@propaganda.network

Proposed Creative Europe project

Field(s) Visual arts, Experimental art, Multidisciplinary art, Ecology, Science
Description The global tendencies, such as rapid urbanisation and underestimating the long-term effect of protecting natural resources are twice as intense in developing countries, such as Georgia. Through turbulent political post-soviet history, the country has never had a chance to develop a firm green strategy and systemize the political will of sustainable development. Many years of experimental reforms on urbanization, profit-oriented initiatives and chaotic privatization has left Georgia face to face with concrete blocking, deadliest air pollution, no recycling system, severe lack of green zones and poor awareness and frustration of local population.

Considering the urgency of the matter, Propaganda.network came up with an idea to refer to the power of art and creative thinking in order to highlight the above mentioned issues and contribute to the optimistic development of this crisis scenario.

The goal of the project is to rise the awareness about the potentials of art, when intervened in wider ecosystem and mixed with natural resources (landscapes, natural elements and artefacts, scientific research outcomes, experiments, etc.) and vice versa, when some of these resources are placed in conventional and/or experimental artistic contexts and in constantly changing urban realities.

As an outcome of the project, we expect the stakeholders and civic society to be engaged in the process of alternative value creation when different fields collide.

The objectives of the project:

●     facilitate transnational mobility of the artists, curators and the representatives (activists, researchers, etc.) of the organisations oriented on ecological issues and facilitate knowledge and experience sharing to foster critical thinking;

●     develop the platforms for initiating new business/collaboration models reflecting cultural and ecological conditions in situ and worldwide;

●     build and train the audience for semi-artistic, multidisciplinary projects in order to creatively involve them in problem solving process.

Activities:

1.    Synthesis sub-project – the aim of this edition of Synthesis is to engage artists and the representatives of the natural sciences in collaborative activities in order to develop innovative interdisciplinary research practices, concepts, products and/or services.

2.    Museum sub-project focuses on researching, collecting and exposing unique and peculiar natural resources, rare traditional craftsmanship examples, techniques and inventions.

(e.g. the Georgian silk heritage, beekeeping practice, etc.).

3.    Magic Garden – aims to develop experimental greenhouse in Stamba multiplex. The botanical ritual will be devoted to emergence and development of new plants and cultivation of rare breeds as well as medicinal plant crops. Experimental flora and herbalism of Georgian or many other folklores will be practiced in collaboration with the Tbilisi Botanical Gardens.

4.    Stamba Residencies and Open Studios – In addition to the abovementioned studios/sub-projects, up to 3 studios (and respective accommodation facilities) will host international, national (amongst them regional) artists and the representatives of other fields who endeavour to help each other in order to develop eco-related experimental projects. Along with the Studios/residency spaces at Stamba multiplex, we aim to offer regional residency spaces around Georgia, especially in the areas with rich natural heritage with the support of our local partners, such as Svaneti Museum of History and Ethnography, Art Villa Garikula, etc.

As a consequence of the abovementioned sub-projects, we aim to launch the second edition of Oxygen festival (the first edition was held in May 2018, encompassing up to 35 international and national artists). The second edition will focus on eco-related themes and encompass the legacy of the interactions developed at Synthesis, Museum, Magic Garden and Residencies/Open Studios sub-projects.

The festival will provide large-scale exhibition programme in multiple venues in Tbilisi and beyond its borders. Moreover, following activities are provisioned in the frames of the festival week:

●     Informal Symposium;

●     Roundtable meetings with the stakeholders responsible for wider ecological condition, such as the representatives of the City Hall;

●     Masterclasses & workshops aimed at training young art-activists, artists and other stakeholders.

Partners currently involved in the project (if any)

Name of organisation and country Potential Partners:

Tbilisi Botanical Garden, Svaneti Museum of History and Ethnography, The Museum of Jurassic Technology, Art Villa Garikula, Tbilisi Architecture Biennial, Multiplex Stamba and their tenants with varying profiles, Gallery LC Quisser, Tbilisi Silk Museum, The institutions of higher education, green movements, etc.

Partners searched

Countries Any
Preferred profile Ideally, potential partner organisation should be aimed at developing research-based, experimental, creative projects concerning ecological themes, social ecology and natural resources.

Desired competencies:

–          organising small/medium scale exhibitions;

–          managing international residency programmes and research projects.

What we expect from our partners:

–       understanding the challenges of developing countries and their active interest in its cultural discourses in reference to the ecological and socio-economical dimensions.

–       being able to host international artists and the representatives of the organisations committed to ecological themes;

–       being able to offer artists and the representatives of the organisations committed to ecological themes for our residencies;

–       contribute to the development of festival programming and be willing to cooperate in order to make the event transnational.

The past experience of being the beneficiary of Creative Europe programme would be an advantage.


Are you interested in participating in other EU projects as a partner?

 

Yes Yes
What kind of projects are you interested in participating in? Projects aimed at:

transnational mobility of artists (e.g. residency programmes)

audience building for contemporary arts (e.g. large-scale exposition events)

(artistic) research practices (e.g. archiving)

Thematic priority: Ecology and interdisciplinary approach

 

SERBIA

 Partner search
Culture sub-Program 

Strand/category  Category 1 – Small scale projects
Deadline  European cooperation call 2019/ november 2018

 Cultural operator(s)

Name “Pozoriste lektira” / “Theatre reading”
Short description “Theatre reading” is created according to the idea of the celebrated actor Ivan Jevtovic who i cooperation with his colleagues Milena Nikolic and Dejan Jajcanin begins work on the founding of a new theater that will have an educational character and will be named after tha professor of the Faculty of dramatic art, dr. Vladimir Jevtovic. For the first season, the theater chooses a school lecture as a topic. In cooperation with professors of literature, the selected works are dramatized, and then the performances are created in accordance with the editing of the proofreaders according to plan and program. It is planned that every performance of the play will be followed by a workshop in which the audience, in this case the students, will have the opportunity to actively discuss with the actors and professors of Serbian language and literature. Students will express their thoughts on the theater noler-literary work, and what they have seen on the scene, will have the ability to select certain scenes that they want to look at again or to change them as directors, and that professional actors play them according to their indications, all in the goal of answering the questions asked and the adequate understanding and analysis of a particular literary work. In the era of modern communications, a large percentage of young people are defocused and alienated from traditional artistic techniques and values, and often from innumerable unclassified programs, they select inadequate quasi-artistic content subjected to primary sensory sensations. Reading literary and intellectual texts is maximally avoided and is considered hard and boring. Strenuous because it requires full intellectually-emotional capacity, and boring because there are no other sensory incentives. Adolescents narrow their aspects, lose motivation, and the dictionary becomes scarce and completely jargon. It is necessary to start them and offer them new models and ways of learning and discovering, which is one of the main goals of this project. We are inviting young people and their education about the importance of literacy, reading and nice speech through the work on theater performances. We are trying to learn the correct behavior patterns and the discovery of the importance of communication and interpersonal cooperation in the development of young people. No cultural institution has so far linked its existence to a school program like this. Because it’s starting point is that teachers are crucial subjects for the survival and development of our cultural life. And that the school is the backbone of our entire society, and the theater that should be, among other things, its mirror.
Contact details Milena Nikolic

https://www.facebook.com/pozoristelektira/

pozoristelektira@gmail.com

Project

Field(s) Performing arts, Theatre, Education, Audience Development
Description We would like to take part in Creative Europe projects as a partner. We are looking for a theater or organization that works with young people.
The motive of this project is to use the theater play and drama workshop as communication models to gather this future elite around the things that connect them and which are close to them. A seemingly painful, heavy and boring school lecture could become an ideal polygon for mutual understanding, encouraging creative thinking and learning.We believe that this young people are quite aware of the time and space in which they are living. It is necessary to encourage them to think that their personal and creative engagement can influence changes in their own community.The aim of this project is to address young people about the importance of literacy, reading and fine speech through work on theater performances.
We also aim at learning the correct patterns of behavior and revealing the importance of communication and interpersonal cooperation in the development of young people.It is necessary to raise awareness and need for the cultural development of the individual for the general well-being of the community.
Finally, the goal is to debate things that are common to us and present in everyday life. Debates are an opportunity to look at similarities and differences, and by the sharing an experience to make an exchange of opinions.
This project also aims to encourage teachers and professors to introduce modern methods in teaching. They actively involve students in to the work, which explains their creativety and imagination, which is actually the goal of modern teaching.It is important to make young people closer to art and our main goal is that these young people have an insight to the whole process of creating a play from the creation of a literary work to the performance of it, in which they are an active part.At the end, one of the goals is the activation of artists from all spheres of art (visual, musical, applied, dramatic etc.) in education and affirmation of young people, not only as audiences, but also as performers in performances, workshops, etc.

Looking for Partners

Countries All eligible countries
Profile Institutions or organization interested in work with young people and audience development in preforming arts, Universities and educational organizations…

 

HISPAANIA

Partnereid otsib Ubiqa, baski organisatsioon, kes soovib osaleda partnerina projektis, mis tegeleb:

1.- Uute viisidega, kuidas suhelda publikuga

2.- Uute mitteformaalsete kunstnike haridusmeetoditega, mis võimaldavad neil luua ja jagada oma lugusid tänapäeval nõutud digitaalsete oskustega.

3.- uute mitteformaalsete haridumeioditega kunstnike professionaalsete oskuste arendamiseks.

4.- Digitaalsete kaardistustega

5.-Territoriaseteal digitaalsete narratiivide loomisega

Vaata projekti

ITAALIA

EUROCOMEDIES projekt plaanib kooskirjutada, -toota ja ringreisidel mängida komöödia, et tõestada, et komöödiazhanr ei sõltu keelebarjääridest.

Vaata PROJEKTI 

ITAALIA

Suuremahuliste koostööprojektide taotlusvoor: OMERTE projekti eesmärk on Itaalias juba olemasoleva võrgustiku (suuline tegevus, mälu ja teater)rahvusvahelistumine ja konsolideerimine.

VAATA PROJEKTI

 

HISPAANIA

Partner search
Culture sub-Program 

Strand/category Creative Europe, the program which supports transnational cooperation projects involving cultural and creative organizations from different European countries. It aims to improve access to European culture and creative works and to promote innovation and creativity.

Large scale cooperation project (project leader and at least five other partners)

Deadline Call 2018.  The call is not still published.

 Cultural operator(s)

Name Diputació de Barcelona (Barcelona Provincial Council)
Short description The Barcelona Provincial Council (BPC) is a local government institution that provides technical, economic and strategic support for the 311 municipalities of the province of Barcelona networking with the local councils. The BPC plays a very active role in several cultural international networks, like RICC, LIKE, or the culture group of the ULGC organization
Contact details Pia Bosch i Codolà, Technical advisor.
Culture Department.
Recinte Escola Industrial. Edifici del Rellotge, 1a plantaComte Urgell, 187, 1a. 08036. Barcelona
Telèfon 934022833Mòbil: 648685381boschcpd@diba.cat

Project

Field(s) Intangible Cultural Heritage.
Description The TRAD & NOVA 6X6 project aims to generate know-how at European level on how to keep popular and traditional culture alive from the exchange and “cross fertilization” between traditional root initiatives and innovative proposals in the different cultural and artistic fields (crafts, live arts, visual arts, popular festivities …). We want to do it based on the exchange of experiences between projects from different European territories. We start from the thesis that the best way to keep tradition alive is to fertilize it with contemporary aesthetics and languages. We also start form our knowledge that throughout Europe there are artists immersed in community processes that use tradition as the raw material of their creative processes.

The TRAD & NOVA 6X6 project aims to achieve four results from four instruments that determine four specific lines of work:

  • Enhance existing good practices, contributing to its description and dissemination on an international scale, through a specific digital platform.
  • Extract from these good practices those elements that may be transferable to other contexts and cultural situations, through the development of a specific tool kit.
  • Experience processes to revitalize initiatives from traditional heritage with innovative cultural and artistic dynamics in the territories of the various partners that participate in the project.
  • Create the necessary sustainability conditions for an international award (provisional name “Sodoku Prize”) that recognizes this type of initiatives on a biannual basis.

Partners searched

Countries All
Profile Local authorities or Cultural agents with  know-how or experience in projects focused on how to keep popular and traditional culture alive from the exchange and “cross fertilization” between traditional root initiatives and innovative proposals in the different cultural and artistic fields, especially in Music

SERBIA

Serbian-Aromanian assotiation “Lunjina” would like to find partners to establish partnership in the field of performing and researching old traditional music and folklore.

Partner search Lunjina Serbia

KREEKA

Culture sub-Program
Strand/category/Call Culture
Deadline 2018
Cultural operator(s)
Name and country
Department of Applied Research, Directorate of Conservation of Ancient and Modern Monuments, Hellenic Ministry of Culture, Greece
Short description
The Directorate of Conservation of Ancient and Modern Monuments (DCAMM) is the Central Conservation Service of the Hellenic Ministry of Culture, the service responsible for the Conservation of cultural heritage around the country. Personnel  consists mainly of conservators of different material specialisations, conservation scientists and administrative staff.
It is organised in four departments: 1. Applied Research; 2. Conservation Studies; 3. Conservation Projects; 4. administration.
DCAMM produces conservation studies, which essentially are extensive and detailed conservation proposals; undertakes and also supervises conservation projects around Greece; issues the conservation practice permits, which allow graduate conservators to undertake projects at the private sector; and the sampling permits, which are necessary for carrying out scientific analyses to cultural heritage; assists the work of any Regional Service of the Ministry, such as local Museums and Ephorates of antiquities; collaborates with other Central Services, such as the Directorate of Museums, and the Directorate of the Restoration of Buildings.
Our main activities are focused on the:
 documentation and evaluation of new and old conservation treatments;
 instrumental analyses of cultural heritage material;
 research and testing of new conservation materials;
 preventive conservation;
 climate change and its effects on monuments
 issuing the sampling permits for movable cultural heritage property

The purpose of the Department of Applied Research, DCAMM is to:
 provide advice on the conservation and analysis of cultural heritage
 provide support for the conservation and analysis of cultural heritage to any Regional Service and/or Museum in Greece in the form of personnel, lab space, equipment.
The Department of Applied Research, DCAMM can provide:
 access to cultural heritage property,
 instrumental analysis expertise,
 organisation of workshops and seminars.
Contact details
https://www.culture.gr/en/ministry/SitePages/viewyphresia.aspx?iID=1331
Dr Christina Margariti – Head / chmargariti@culture.gr
+30 210 32 44 227 int. 220
Dr Petros Prokos/ pprokos@culture.gr
+30 210 32 44 227 int. 222
Dr Aikaterini – Zoe Ftikou/ aftikou@culture.gr
+30 210 32 44 227 int. 223

Proposed Creative Europe project
Field(s) Conservation and instrumental analysis of cultural heritage
Description
The Department of Applied Research, DCAMM is searching for organisations around Europe to collaborate and expand its network in field of Conservation of Cultural Heritage with special emphasis on instrumental analysis, the application of new materials and the effects of the environment on cultural heritage property.
The Department of Applied Research, DCAMM would like to:
 participate in programmes on the instrumental analysis of cultural heritage;
 participate in the documentation, measurement and study of the effects of the environment and climate change to cultural heritage;
 participate or organising different non formal education, workshops, master-classes, summer-schools, conferences, etc. for conservators and conservation scientists;
 participate in different public outreach projects: introducing conservation and conservation science to museum visitors (e.g. by the organisation of a relevant temporary exhibition) and the general public (e.g. by the organisation of interactive activities, such as treasure hunt of conserved monuments in the city of Athens, where the Department recently participated).

Partners currently involved in the project (if any)
Name of organisation and country n/a
Partners searched
Countries EU countries
Preferred profile
Organizations / Institutions with focus on the analysis and conservation of cultural heritage

Previous Creative Europe or Culture (2007–2013) programme experience (if any)
Project name(s)
We have not participated in any Creative Europe or Culture programme yet, but we have substantial experience in running EU Support Framework Programmes, the most recent ones (up to 2015 and one Horizon 2020 programme) are shown below
Title Funding in euros
Conservation of the mosaics of the Dafni Monastery 155.610
Conservation of the wall/paintings of Macedonian tombs in central Macedonia 542.907
Conservation of the wall/paintings of Macedonian tombs in Pieria 146.042
Conservation of the Efpalinion tunnel in Pythagoreion, Samos 152.834
Conservation of the internal decoration of the Ziller-Loverdos Mansion 1.268.141
Conservation of the architectural and decorative elements of the St Nikolaos church on Psara island 217.138

HORVAATIA

Partner search
Culture sub-Program 

Strand/category contemporary dance
Deadline

 Cultural operator(s) 

Name ZAGREB DANCE CENTER
Short description Zagreb Dance Center (ZPC) is the central space of contemporary dance in Croatia, which supports Croatian and foreign dance artists in their creation, and encourages a propulsive and dynamic dance scene. The main tasks of Zagreb Dance Center are to secure adequate conditions for rehearsals and performances; to program highly professional dance shows and their repeat performances; to encourage new trends in artistic production; to collaborate on local, national and international level; to strengthen the interaction between dance scene and cultural public; to educate young audience; and to raise awareness and appreciation of contemporary dance amongst the general public. It supports various innovative initiatives, advocates diversity and plurality of artistic visions, and encourages artists, audience and the community to explore and analyze choreographic and other concepts together.
Contact details  Mrs. Martina Nevistić, nevistic@zagrebackiplesnicentar.hr, +385 91 4872 565

Project 

Field(s)  Contemporary dance, Audience Development Program
Description In cooperation with elementary and secondary schools, we intend to organize guided tours of Zagreb Dance Center, to do workshops, performances, talks about performances and talks with performers and authors, in order to make children acquainted with the art of dance and to do the presentations of occupations: dancer, choreographer, light designer and producer.

Our goals are: to raise awareness and appreciation of contemporary dance, to produce a high-quality, professional performance for the young, to familiarize the audience with contemporary dance through creative workshops and discussions (edutainment), to strengthen the cooperation with schools which are not specialized dance schools, to include the independent dance professionals and organizations into the implementation of the project, to raise the visibility of Zagreb Dance Center and dance art in Zagreb and Croatia in general.

Partners searched 

Countries EU countries
Profile Organizations and institution working in the fields of contemporary dance, art, and culture

 

PRANTSUSMAA

Culture sub-Program
Strand/category Cooperative, small-scale project
Deadline 2018
Cultural operator(s)
Name Villette Makerz

Short description
Villette Makerz, located in the heart of the Villette Cultural Park in Paris (France), is a creative space for all, including a Fablab – collaborative design and manufacturing laboratory – as well as a space for events. Villette Makerz offers experiences in creating and implementing innovative teachings :
This space in perpetual movement is dedicated to all those who want to connect ideas and materials, thanks to  contemporary technologies of creation, in sectors such as: design, 3D, code, textile, electronics, audiovisual, numerically controlled tools …
• On weekends, the public (young public, family, adult) can discover the “Do It Yourself” in free access. As a cultural space, Villette Makerz also coproduces the events of the Parisian “maker” movement with many collectives.
• During the week, professionals (entrepreneurs, companies, communities) can experiment, exchange and manufacture. In a fab lab & coworking environment conducive to the creation and exchange of know-how, Villette Makerz offers a comprehensive offer ranging from the rental of workstations and professional machines to personalized support for design, production and economic development. By linking culture and education, science and technology, Villette Makerz supports Parisian creative communities in the use of their natural talents and creative energy, deploying them to the service of private actors, territorial and the general public www.villettemakerz.com

Contact details
• Mail : UpCyclingbyDesign@villettemakerz.com
• Contact Research & Training : Samuel Rémy / +33 6 61 64 88 87
• Contact Awareness & Education : Carolina Tinoco / +33 6 31 46 73 36
and : Nathalie Tinland / +33 6 07 79 99 59

Project

REUSING – RECYCLING – REDUCING
Social and Sustainable Design
Eco-effective Model
Repurposing and Recycling Waste Materials
Environmental and Social Responsibility
Upcycling by Design
Knowledge Sharing
Co-creation
Design thinking and making
Local Development
Empowering Communities
Education / Training
European Exhibition and Contest
Storytelling
Description
Upcycling by Design:
Developing Social and Sustainable Skills

In these times of environmental and social crisis and with the sustainability of our future at stake, we are influencing the way of creating and producing. Of course, this is a considerable challenge as it requires a fundamental shift in the approach and the mindset of manufacturers and designers alike. Upcycling transforms by-products, waste materials and unwanted materials into new products for better environmental value.
Industrial Waste: Design for Good
Normally we use materials to create objects which increases the scarcity of raw materials and the depletion of finite resources. Simultaneously, waste produced remains an untapped resource. Our work is based on collaborations with creators, designers, artisans, manufacturers and communities who genuinely wish to create new and sustainable design projects with these reusable materials which in turn create objects for the good of the people AND the planet.

Sustainable Design Storytelling
We hope re-designing, re-imagining, re-mixing and re-using will become a new standard in design. We are committed to social and sustainable design. Our goal is not only to create beautiful products but develop a concept: a way to create products which tell great stories.
We envision an innovative, small-scale, co-operative and ecological model to create and exhibit projects based on this exploitation of waste materials. We are taking advantage of the diversity and richness of cultures to create interactive experiences, build relationships, share knowledge and stories. We aspire to open a window of opportunity for CSR (corporate social responsibility), governments (the public sector), in partnership with either  business (the private sector), or charities (the community sector) to develop and implement « Upcycling by design » providing learning opportunities through sponsored social and environmental impact programs. A flourishing world for our environment, communities, and for our well being.
Objectives :
 To support the emergence of new upcycling designers and projects: educating professionals and general public through training and workshops.
 To encourage upcycling designers and projects around Europe: to showcase design projects through exhibitions and competitions.
 To promote the values of upcycling Design: new technologies and good practices that are socially and environmentally responsible.
 To create a network/community: interdisciplinary Creatives sharing the same vision.
Our project is based at the crossroads of research, awareness, education, creation, networking and business development :
Research and Networking:
We are seeking partners who aligned with our mindfulness of social and environmental design to collaborate, promote and generate a network for “Upcycling by design” concept.
Our curation involves observing and identifying upcycling projects and designers; local materials, industries and manufacturers.
Thereafter we review an inventory of products for our Upcycling by Design exhibit.
Training and Business Development:
We wish to encourage a rapidly changing field by helping designers to think with a different philosophy and innovation. We train creators by providing them with knowledge, skills and tools.
This training is intended for design professionals and students as well as the general public- for all who wish to open up to a new, more responsible approach to creation. The challenge is to create a process for the reuse of materials as well as
inventing adapted manufacturing techniques to create new business opportunities by developing environmental, economic and social activities.
Consciousness and Education:
We want to highlight the existence of experimental practices and success stories (artisanal, artistic, industrial) through exhibitions and all different ways of broadcasting.
We would like to develop contests and workshops for upcycling by Design opening up new creative models.
We stimulate exchanges and reflections in innovation, quality, functionality and aesthetics. But also our focus is co-creation and cultural diversity which are the bases of the desirable and sustainable future that we want to promote and create identity and awareness.
Looking for Partners
Countries
For example :
North: Sweden, Netherlands …
West: France…
East: Romania …
South: Tunisia, Spain, Italy …
Profile
Around the fablab Villette-Makerz, we mobilized in France:
 Zéro Waste – an expert in the circular economy
 Matério, Amat, Matériaupole Seine amont – materials specialists
 CRI / Centre de Recherches Interdisciplinaires – research in educational sciences
We would like to federate around the project :
 to enrich the European network, contents, training, supply and experimentation on materials, workshops:
• Companies specialized or involved in green economy
• Recycling industry (public and private) and waste reprocessors
• FabLab and craft workshops
• Associations, Schools, Rehabilitation Centers
 for public awareness, exhibitions, contests, meetings, round tables:
• Cultural institutions, Museums, Cultural Centers …
• Alternative places or vacant spaces
 to document locally meetings, processes, creations ; and for dynamic
communication:
• Videographer, audiovisual specialist, webdesigner…
Other All ideas are welcome!

SERBIA

Culture sub-Program
Strand/category Creative Europe – Culture sub-Programme
Deadline end of August 2018
Cultural operator(s)
Name Studio6 – Contemporary music collective

Short description
Studio 6 is a collective of Serbian performing musicians, composers and theorists, devoted to promotion of today’s music. Aside from its main enterprise, which is planning and coordinating the activities of its instrumental ensemble, collective Studio 6 engages in educational programmes, discussion panels and regional network building with an aim to set up and nurture a vital and unique contemporary music scene in Serbia. The instrumental ensemble Studio 6 gathers internationally
acclaimed soloists and performers of contemporary composed and improvised music. The ensemble encourages an open dialogue between listening, interpreting and creating in contemporary artistic practices. Ensemble’s activities range from first performances of XX-XXI century solo and ensemble works, to educational courses for students and performances of experimental pieces by younger generations of composers, improvisers and sound artists. A special attention is given to creative collaboration on new pieces, given the modular possibilities of the ensemble’s unorthodox instrumentation, which includes trumpet, harp, accordion, cello and electronics. www.studio6.st

Contact details
Milana Zarić
studiosest@gmail.com
milana.zaric3@gmail.com

Project
Field(s) music, contemporary, classical, improvisation, instrumental, acoustic, electronic art music

Description
Musical creation as collaborative work of art. We believe that the terrain of musical innovation in the 21st century will be that of creative collaboration, whereas that of the 20th was principally that of new sounds and technologies for music, while still leaving the roles of composer, interpreter, improvising musician etc. as separate from one another. New forms of music could now come about through new ways of making music, and in particular by going beyond the idea of the composer-artist as sole creator to a situation where different ideas, skills and approaches may be combined in many different ways, as is already the case in pop and jazz composition/performance. Our work up until now with the ensemble and other projects has been a step in this direction. Our aim is to bring creative musicians together, through series of workshops, performances, master classes, documentation; to create a network/association which will enable such projects to happen easier in the future. Our focus is on collaboration within the music medium, rather than between different  disciplines.

Looking for Partners
Countries The Netherlands, France, UK, Germany, Greece, but not limited to these
Profile
Contemporary music ensembles, concert organisers/festivals, educational music institutions, broadcast studios, performing
spaces/cultural centres, foundations, international associations and networks…

LEEDU

Partner search
Culture sub-Program 

Strand/category Cooperation projects – small
Deadline September 2018

 Cultural operator(s)

Name Kaunas City Chamber Theatre
Short description Kaunas City Chamber Theatre is a professional theatre. Our goal is to foster, create, protect and develop the traditions of professional drama theatre, to creatively explore new forms, promoting the development of theatre art. Each season, 3 premieres are being prepared at this theatre. The performances are different in genres and forms. Kaunas City Chamber Theatre has become a center of attraction and a gathering place for people in Kaunas.
Contact details Project Manager
Indrė Brasevičiūtė
+370 671 15842
projektai@kamerinisteatras.lt
http://www.kamerinisteatras.lt/

Project

Field(s) Theatre, Performance, Interdisciplinary Arts, Outdoor Arts, Community Arts
Description The main goal of the project is to enable communities, to activate their involvement in community activities, to increase the accessibility of culture in the community environment. The priority is the continuity of the project. Theater and social pedagogues should be involved in the project, which will help coordinate activities in the community.

Partners searched

Countries All
Profile Theatre, Performance, Interdisciplinary Arts, Outdoor Arts, Community Arts

Other

We want to be a project lead. We are looking for project partners.

SLOVEENIA

 Culture sub-Program

Strand/category/Call Culture
Deadline 2018

 Cultural operator(s)

Name and country Cultural and Artistic Institute PerArtem, Slovenia
Short description The Cultural and Artistic Institute PerArtem directs its activities to the field of classical music with special emphasis on Art song that combines music with poetry.

PerArtem’s activities are re-establishing, awakening, freshening and developing performing tradition of Art song in Slovenia and Europe with a wide array of internationally recognized foreign and Slovenian artists.

The purpose of PerArtem is to:

·         awake, preserve and to develop tradition of classical music (Art song) in the wider sense of that term, and possibly to connect it with other art forms.

·         provide facilities in Slovenia and abroad for activity of both Slovenian and foreign artists, and thereby enable inter-cultural dialogue.

The Cultural and Artistic Institute PerArtem was set up to provide:
·         cultural and artistic activities,
·         education,
·         organisation of events,
·         and publishing.

Since 2015, we have been organizing a concert cycle in a Cekinov castle in Ljubljana and National Opera in Maribor. In two years, we provided 17 different repertoires and performed over 35 concerts and co-organization of concerts in Slovenia, Belgium, France, Swiss, Italy and India.

Contact details www.perartem.si /

Marko Ocvirk – director / marko.ocvirk@perartem.si /

+386 31 649 479

www.nejclavrencic.com

Nejc Lavrenčič – artistic director/ nejc.lavrencic@perartem.si/

+386 41 734 497

Proposed Creative Europe project

Field(s) Classical music (performing and education)
Description PerArtem Institute is searching for organisations around Europe to build a long-term partnership in field of Culture with special emphasis on classical music.

PerArtem wants to participate in different project where classical music is main theme, in connection with other art forms.

PerArtem Institute would like to:

·         participate in established culture events with our productions (in different festivals around Europe, other musical events, );

·         to host musicians in our art song concert cycle in Ljubljana and Maribor called Glas iz davnine / Voice from the past;

·         participate or organising  different non formal education, workshops, master-classes, conferences, etc. for musicians on different level of knowledge;

·         participate in different Civil society projects: how to use classical music as a toll for better understanding diversity of nationalities in EU, how can music contribute in more inclusive society.

Partners currently involved in the project (if any)

Name of organisation and country National Opera Maribor, Slovenia

MNZS – Museum of contemporary history of Slovenia, Ljubljana, Slovenia

Partners searched

Countries EU countries
Preferred profile Organizations / Institutions with focus on classical music (concerts and/or educational program)

Music festivals

Previous Creative Europe or Culture (2007–2013) programme experience (if any)

Project name(s) We did not participate in Creative Europe or Culture programme yet, but we have many experiences in culture program in Slovenia and co-organization of concerts in Slovenia, Belgium, France, Swiss, Italy and India.

Glas iz davnine / Voice from the past – Art song concert cycle

Season 2015 – 2016

Season 2016 – 2017

Season 2017 – 2018

Role within the project(s) Organizer of the concert cycle in Ljubljana and Maribor, Slovenia

Co-organization of concerts in Slovenia, Belgium, France, Swiss, Italy and India

Are you interested in participating in other EU projects?

Yes yes
No
What kind of projects / calls are you interested in participating in? ·         Civil society projects;

·         Erasmus+.